Revelation 6

Kommentar zu diesem Kapitel

KI zu diesem Kapitel fragen

Revelation 6 opens the seven seals of the scroll that only the Lamb was found worthy to take. The first four seals release the four horsemen: a rider on a white horse with a bow, bent on conquest; a red horse whose rider takes peace from the earth; a black horse whose rider carries scales and announces famine prices; and a pale horse ridden by Death with Hades behind him, given power over a fourth of the earth. The fifth seal shows the souls of the martyrs under the altar crying "How long?" and being told to rest a little longer. The sixth seal shakes the cosmos, and everyone from kings to slaves hides in caves, asking who can stand before the wrath of the Lamb.

Kapitelkommentar öffnen

Revelation 6 is where the scroll that made John weep in chapter 5 begins to be opened, and what comes out of it is not a secret about the future but a picture of the world as it is. The Lamb breaks the first seal, one of the four living creatures says "Come," and a rider on a white horse goes out to conquer. Three more follow: a red horse whose rider takes peace from the earth so that people kill one another, a black horse whose rider holds a pair of scales while a voice calls out famine prices, a day's wage for a day's bread, and a pale, corpse-colored horse whose rider is named Death, with Hades following behind. Together they have power over a fourth of the earth. Any reader in the first century knew these riders; they were the news. Then the fifth seal opens and the scene moves from earth to the altar of heaven, where the souls of those killed for their testimony cry out the oldest prayer of the suffering, "How long, O Lord?" They are given white robes and told to rest a little longer, until the number is complete. It is not the answer they wanted, but it is an answer, and it means their deaths were counted. The sixth seal undoes creation itself: earthquake, black sun, blood moon, stars falling like figs, the sky rolled up like a scroll, and every human being from emperor to slave hiding in the rocks from the face of the One on the throne. The chapter ends with a question, who can stand?, and chapter 7 exists to answer it.

Historischer und literarischer Kontext

John wrote from exile on Patmos to seven churches in the Roman province of Asia, most likely in the 90s under Domitian, though some place the book in the aftermath of Nero. The horsemen draw on Zechariah 1 and 6, where colored horses patrol the earth for God. The white horse and bow evoked the Parthian mounted archers on Rome's eastern frontier, the one enemy Rome had not defeated. The famine prices, a quart of wheat for a denarius, mean a day's wage for one person's daily bread, many times the normal cost, while oil and wine are spared, a detail some connect with Domitian's edict on vineyards in AD 92. The souls under the altar reflect the blood poured at the base of the temple altar.

Wie sich das Kapitel entfaltet

Verses 1 and 2, the first seal: the white horse and its conquering rider. Verses 3 and 4, the second: the red horse and the removal of peace. Verses 5 and 6, the third: the black horse, the scales, and the price of grain. Verses 7 and 8, the fourth: the pale horse, Death and Hades, and a fourth of the earth. Verses 9 to 11, the fifth: the martyrs' cry and the white robes. Verses 12 to 17, the sixth: earthquake, darkened sun, blood-red moon, falling stars, the sky rolled up, and humanity hiding from the throne. The seventh seal waits until chapter 8, after the interlude of chapter 7.

Warum dieses Kapitel wichtig ist

The four horsemen are among the most recognized images in Western culture, borrowed by painters, novelists, and journalists for every age of war, famine, and plague. Read in their setting, they are not a special end-time terror but a description of what human history already looks like when God lets it run: conquest, war, scarcity, death. The martyrs' "How long, O Lord?" gives voice to every sufferer who waits for justice, and the answer, "a little while longer," is the book's honest reply. The closing question, "who is able to withstand it?", is answered by chapter 7's vision of the sealed servants of God.

Auslegungsfrage im Blick behalten

The rider on the white horse has been read as Christ, because of the white horse of 19:11, or as a counterfeit, a conquering power such as Parthia or Rome; the parallel with the other three destructive riders favors the second. Whether the seals describe past events, the whole span of history, or a future tribulation divides the main schools of interpretation. The vengeance the martyrs ask for sits awkwardly beside "love your enemies," and readers have to decide whether the cry is a prayer for God's justice or a wish for revenge.

Fragen zu diesem Kapitel

  • The four horsemen describe conquest, war, famine, and death. Does it change your reading to see them as ordinary history rather than a future catastrophe?
  • The martyrs ask "How long?" and are told to wait. What does that scene say about unanswered prayers for justice?
  • The chapter ends with "who is able to withstand it?" How does chapter 7 answer the question?

Mit Kontext studieren

Nutze dies als Kapitel-Leitfaden und gehe dann tiefer in den Text selbst. Ziel ist es, die Beobachtung zu verlangsamen, die Struktur wahrzunehmen und bessere Fragen zu stellen, bevor man vorschnell zu Schlussfolgerungen kommt.

1 Καὶ εἶδον ὅτε ἤνοιξε τὸ ἀρνίον μίαν ἐκ τῶν σφραγίδων, καὶ ἤκουσα ἑνὸς ἐκ τῶν τεσσάρων ζῴων λέγοντος, ὡς φωνῆς βροντῆς, Ἔρχου καὶ βλέπε. 2 Καὶ εἶδον, καὶ ἰδού, ἵππος λευκός, καὶ ὁ καθήμενος ἐπ᾿ αὐτῷ ἔχων τόξον· καὶ ἐδόθη αὐτῷ στέφανος, καὶ ἐξῆλθε νικῶν, καὶ ἵνα νικήσῃ. 3 Καὶ ὅτε ἤνοιξε τὴν δευτέραν σφραγῖδα, ἤκουσα τοῦ δευτέρου ζῴου λέγοντος, Ἔρχου καὶ βλέπε. 4 Καὶ ἐξῆλθεν ἄλλος ἵππος πυρρός· καὶ τῷ καθημένῳ ἐπ᾿ αὐτῷ ἐδόθη αὐτῷ λαβεῖν τὴν εἰρήνην ἀπὸ τῆς γῆς, καὶ ἵνα ἀλλήλους σφάξωσι· καὶ ἐδόθη αὐτῷ μάχαιρα μεγάλη. 5 Καὶ ὅτε ἤνοιξε τὴν τρίτην σφραγῖδα, ἤκουσα τοῦ τρίτου ζῴου λέγοντος, Ἔρχου καὶ βλέπε. Καὶ εἶδον, καὶ ἰδού, ἵππος μέλας, καὶ ὁ καθήμενος ἐπ᾿ αὐτῷ ἔχων ζυγὸν ἐν τῇ χειρὶ αὐτοῦ. 6 Καὶ ἤκουσα φωνὴν ἐν μέσῳ τῶν τεσσάρων ζῴων λέγουσαν, Χοῖνιξ σίτου δηναρίου, καὶ τρεῖς χοίνικες κριθῆς δηναρίου· καὶ τὸ ἔλαιον καὶ τὸν οἶνον μὴ ἀδικήσῃς. 7 Καὶ ὅτε ἤνοιξε τὴν σφραγῖδα τὴν τετάρτην, ἤκουσα φωνὴν τοῦ τετάρτου ζῴου λέγουσαν, Ἔρχου καὶ βλέπε. 8 Καὶ εἶδον, καὶ ἰδού, ἵππος χλωρός, καὶ ὁ καθήμενος ἐπάνω αὐτοῦ, ὄνομα αὐτῷ ὁ Θάνατος, καὶ ὁ ᾍδης ἀκολουθεῖ μετ᾿ αὐτοῦ. Καὶ ἐδόθη αὐτοῖς ἐξουσία ἀποκτεῖναι ἐπὶ τὸ τέταρτον τῆς γῆς ἐν ῥομφαίᾳ καὶ ἐν λιμῷ καὶ ἐν θανάτῳ, καὶ ὑπὸ τῶν θηρίων τῆς γῆς. 9 Καὶ ὅτε ἤνοιξε τὴν πέμπτην σφραγῖδα, εἶδον ὑποκάτω τοῦ θυσιαστηρίου τὰς ψυχὰς τῶν ἐσφαγμένων διὰ τὸν λόγον τοῦ Θεοῦ, καὶ διὰ τὴν μαρτυρίαν ἣν εἶχον, 10 καὶ ἔκραζον φωνῇ μεγάλῃ, λέγοντες, Ἕως πότε, ὁ δεσπότης, ὁ ἅγιος καὶ ὁ ἀληθινός, οὐ κρίνεις καὶ ἐκδικεῖς τὸ αἷμα ἡμῶν ἀπὸ τῶν κατοικούντων ἐπὶ τῆς γῆς; 11 Καὶ ἐδόθησαν ἑκάστοις στολαὶ λευκαί, καὶ ἐρρέθη αὐτοῖς ἵνα ἀναπαύσωνται ἔτι χρόνον μικρόν, ἕως οὗ πληρώσονται καὶ οἱ σύνδουλοι αὐτῶν καὶ οἱ ἀδελφοὶ αὐτῶν, οἱ μέλλοντες ἀποκτείνεσθαι ὡς καὶ αὐτοί. 12 Καὶ εἶδον ὅτε ἤνοιξε τὴν σφραγῖδα τὴν ἕκτην, καὶ ἰδού, σεισμὸς μέγας ἐγένετο, καὶ ὁ ἥλιος ἐγένετο μέλας ὡς σάκκος τρίχινος, καὶ ἡ σελήνη ἐγένετο ὡς αἷμα, 13 καὶ οἱ ἀστέρες τοῦ οὐρανοῦ ἔπεσαν εἰς τὴν γῆν, ὡς συκῆ βάλλει τοὺς ὀλύνθους αὐτῆς, ὑπὸ μεγάλου ἀνέμου σειομένη. 14 Καὶ οὐρανὸς ἀπεχωρίσθη ὡς βιβλίον εἱλισσόμενον, καὶ πᾶν ὄρος καὶ νῆσος ἐκ τῶν τόπων αὐτῶν ἐκινήθησαν. 15 Καὶ οἱ βασιλεῖς τῆς γῆς, καὶ οἱ μεγιστᾶνες, καὶ οἱ πλούσιοι, καὶ οἱ χιλίαρχοι, καὶ οἱ δυνατοί, καὶ πᾶς δοῦλος καὶ πᾶς ἐλεύθερος, ἔκρυψαν ἑαυτοὺς εἰς τὰ σπήλαια καὶ εἰς τὰς πέτρας τῶν ὀρέων, 16 καὶ λέγουσι τοῖς ὄρεσι καὶ ταῖς πέτραις, Πέσετε ἐφ᾿ ἡμᾶς, καὶ κρύψατε ἡμᾶς ἀπὸ προσώπου τοῦ καθημένου ἐπὶ τοῦ θρόνου, καὶ ἀπὸ τῆς ὀργῆς τοῦ ἀρνίου· 17 ὅτι ἦλθεν ἡ ἡμέρα ἡ μεγάλη τῆς ὀργῆς αὐτοῦ, καὶ τίς δύναται σταθῆναι;

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