Song of Solomon 5

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Song of Solomon 5 turns from the wedding night to a lovers' quarrel and its repair. The chapter opens with the bridegroom in his garden, feasting on myrrh, honey, wine, and milk, and a chorus urging the couple to drink deeply. Then the bride tells a dream: her beloved knocks at night, she hesitates to rise, and when she finally opens the door he is gone. She searches the city, is beaten by the watchmen, and begs the daughters of Jerusalem to tell him she is sick with love. Asked what makes him so special, she answers with the Song's only full description of the man: head of gold, raven hair, eyes like doves, lips like lilies, legs like marble pillars, altogether lovely, "my beloved, and my friend."

Buksan ang komentaryo ng kabanata

Song of Solomon 5 begins in a garden and ends in the streets, and in between is one of the truest scenes about love in the Bible. The wedding night of chapter 4 closes with the man feasting in his garden and a chorus telling the couple to drink their fill. Then the mood changes. The bride is in bed, half asleep, and hears her beloved knocking, wet with the night dew, asking her to open. She hesitates. She has taken off her robe and washed her feet; must she really get up? By the time desire wins over comfort and she goes to the door with myrrh running from her fingers onto the bolt, he has gone. What follows is a search through a dark city, a beating from the watchmen, and a plea to the women of Jerusalem: if you find him, tell him I am sick with love. They ask her what is so special about this man, and her answer is the only place in the Song where the man's body is described, feature by feature, from his golden head and black wavy hair to his marble legs and his sweet mouth. He is altogether lovely, she says, and then adds the word that lifts the poem above desire: this is my beloved, and this is my friend. Christians have read the knock at the door as Christ and the delay as the soul's; read simply as poetry, the chapter knows that love can be lost by a moment's laziness and found again by praise.

Mahahalagang sipi

Song of Solomon 5:1 Song of Solomon 5:2-8 Song of Solomon 5:10-16 Song of Solomon 3:1-4 Song of Solomon 4:1-7 Revelation 3:20

Historical and literary context

The Song is a collection of Hebrew love poetry attributed to Solomon, whose name appears in it, though most scholars date its final form later, perhaps to the Persian period; its language and imagery belong to the world of royal gardens, city walls, and night watchmen. The garden, myrrh, and spices are the vocabulary of ancient Near Eastern love poetry, especially Egyptian songs of the same type. The description of the man's body, called a wasf after the Arabic term, matches the descriptions of the woman in chapters 4 and 7 and follows a tradition of praising a lover feature by feature. Jewish and Christian readers long read the book as an allegory of God and Israel or Christ and the church.

How the chapter unfolds

Verse 1 completes the wedding scene of chapter 4: the man enters his garden and a chorus blesses the lovers. Verses 2 to 6a are the bride's night vision, the knock, her hesitation, her rising with hands dripping myrrh, and his disappearance. Verses 6b to 8 are the search, the watchmen's beating, and the charge to the daughters of Jerusalem. Verse 9 is the daughters' question. Verses 10 to 16 are the bride's praise of her beloved from head to legs, ending with his mouth, his loveliness, and the double naming of him as beloved and friend.

Why this chapter matters

Verse 2, "I sleep, but my heart is awake," and the knock at the door became, in Christian reading, the image of Christ seeking the soul and the soul's costly delay, echoed in Revelation 3:20; the bride's search through the streets shaped mystical writing from Bernard of Clairvaux to John of the Cross. "Altogether lovely" in verse 16 has been applied to Christ in hymns for centuries. Read as human poetry, the chapter is the Bible's frankest account of desire, hesitation, loss, and the way praise restores what a quarrel damaged, and its closing "this is my friend" makes friendship part of married love.

Interpretive tension to watch

Whether verses 2 to 8 are a dream, a memory, or a poem in the form of a dream is not settled, and the watchmen's violence in verse 7 is jarring in either reading. The chapter's delay, the woman's reluctance to dirty her feet while the man waits in the dew, has been moralized as spiritual laziness and defended as ordinary human hesitation. The allegorical readings that dominated for two thousand years and the literal reading of the poem as celebrating married love both claim the chapter, and translators must decide how explicit to make its physical imagery.

Mga tanong para sa kabanatang ito

  • The bride delays opening the door and loses the moment. What small hesitations cost the most in the relationships you care about?
  • Asked why her beloved is better than others, she answers with detailed praise. How does describing someone's goodness aloud change how you see them?
  • The chapter ends with "my beloved, and my friend." What does it add to a marriage when the lover is also the friend?

Study with context

Use this as a chapter guide, then press deeper into the text itself. The goal is to slow down observation, notice structure, and ask better questions before jumping to conclusions.

Idagdag sa Mga Tala
1 Dumating ako sa aking hardin, aking kapatid na babae, babaeng aking pakakasalan; Tinipon ko ang aking mira na may sangkap ng aking pabango. kinain ko ang aking pulot-pukyutan kasama ng aking pulot; Ininom ko ang aking alak kasama ang aking gatas. Kumain, ka kaibigan. kumain, kaibigan; uminom ka nang malaya, aking mahal. Kinakausap ng dalaga ang kaniyang sarili 2 Ako ay natutulog, pero ang puso ko ay gising sa isang panaginip. Naroroon ang tunog ng aking minamahal na kumakatok at sinasabi, “Pagbuksan mo ako, aking kapatid na babae, aking mahal, aking kalapati, aking dalisay, dahil ang ulo ko ay basa sa hamog, ang buhok ko sa gabing mamasa-masa.” 3 Hinubad ko ang aking balabal; dapat ko ba itong isuot muli? Hinugasan ko ang aking mga paa; dapat ko ba silang dumihan muli? 4 Inilagay ng aking minamahal ang kaniyang kamay sa bungad ng trangkahan ng pintuan, at sumigla ang puso ko para sa kaniya. 5 Bumangon ako para pagbuksan ng pintuan ang aking minamahal; ang aking mga kamay ay may tumutulong mira, ang aking mga daliri ay mamasa-masang may mira, sa hawakan ng pintuan. 6 Pinagbuksan ko ng pintuan ang aking minamahal, pero ang aking minamahal ay umalis at wala na. Ang puso ko ay nalugmok; Nawalan ako ng pag-asa. Hinanap ko siya, pero hindi ko siya natagpuan; Tinawag ko siya, pero hindi niya ako sinagot. 7 Natagpuan ako ng mga bantay na nagpunta malapit sa lungsod; hinagupit at sinugatan nila ako; kinuha mula sa akin ng mga nagbabatay ng pader ang aking balabal. Ang dalaga ay nakikipag-usap sa mga kababaihan ng lungsod 8 Nais ko kayong mangako, mga anak na babae ng Jerusalem, na kung makikita ninyo ang aking minamahal, sabihin ninyo sa kaniya ako ay may sakit dahil sa aking pag-ibig sa kaniya. Ang mga kababaihan ng lungsod ay nagsasalita sa dalaga. 9 Paanong mas mabuti ang iyong minamahal kaysa sa ibang lalaking minamahal, ikaw na maganda sa lahat ng mga babae? Bakit mas higit ang iyong minamahal kaysa sa ibang minamahal, na hiniling mo sa amin para manumpa tulad nito? Ang dalaga ay nagsasalita sa mga kababaihan ng lungsod 10 Ang aking minamahal ay nagniningning at mamula-mula, namumukod tangi sa kalagitnaan ng sampung libo. 11 Ang kaniyang ulo ay ang pinakadalisay na ginto; kulot ang kaniyang buhok at kasing itim ng isang uwak. 12 Ang kaniyang mga mata ay katulad ng mga kalapati sa tabi ng mga dumadaloy na tubig, hinugasan sa gatas, ikinabit katulad ng mga hiyas. 13 Ang kaniyang mga pisngi ay katulad ng mga nakatainim na mga sangkap ng pabango, nagbibigay ng mabangong mga amoy. Ang kaniyang labi ay mga liryo, tumutulong mira. 14 Ang kaniyang mga bisig ay mabilog na ginto na may nakalagay na mga hiyas; ang kaniyang tiyan ay nabalutan ng garing na may mga sapiro. 15 Ang kaniyang mga binti ay mga poste na marmol, nakalagay sa mga patungan ng dalisay na ginto; ang kaniyang mukha ay katulad ng Lebanon, pinili gaya ng mga cedar 16 Ang kaniyang bibig ay napakatamis; siya ay ganap na kaibig-ibig. Ito ang aking minamahal, at ito ang aking kaibigan, mga anak na babae ng mga lalaki sa Jerusalem.

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